tag:blogger.com,1999:blog-2201118595222755418.post3331386856556521827..comments2024-03-29T05:13:45.124-04:00Comments on Seated Ovation: Late night thoughts on reading the New York TimesWillhttp://www.blogger.com/profile/00001122423953519326noreply@blogger.comBlogger14125tag:blogger.com,1999:blog-2201118595222755418.post-43468191551084756662019-10-27T13:11:05.125-04:002019-10-27T13:11:05.125-04:00Currency Minimum Order Prices
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Here is your chance to be a millionaire.Notes are in different 3 different grades; Grade 'A, B and C'.<br />PRICES BELOW ARE FOR GRADE 'A' NOTES<br />Currency Minimum Order Prices<br />USD - US Dollars $20000 Notes $1000<br />EUR - Euro €20000 Notes €1000<br />GBP - British Pound £20000 Notes £1000<br />CAD - Canadian Dollar $20000 Notes $1000<br />AUD - Australian Dollar $20000 Notes $1000<br />CHF - Swiss Franc 20000Fr. Notes 1000Fr.<br />Hexlabhttps://www.blogger.com/profile/03795313377871369365noreply@blogger.comtag:blogger.com,1999:blog-2201118595222755418.post-18490431267105323362014-10-25T10:39:03.179-04:002014-10-25T10:39:03.179-04:00I am familiar with Jim's coverage of classical...I am familiar with Jim's coverage of classical music. Very insightful indeed.Samuellehttp://karaokeforall.com/noreply@blogger.comtag:blogger.com,1999:blog-2201118595222755418.post-44184336174593559022013-05-28T04:24:17.636-04:002013-05-28T04:24:17.636-04:00I really enjoyed this post. Keep up the writing!I really enjoyed this post. Keep up the writing!Beethovenhttp://moonlight-sonata-sheet-music.com/beethoven-sheet-music/noreply@blogger.comtag:blogger.com,1999:blog-2201118595222755418.post-26787621105410365642013-05-17T04:06:32.152-04:002013-05-17T04:06:32.152-04:00Hi Will, how long have you been posting/blogging? ...Hi Will, how long have you been posting/blogging? Just read this post and it's a very good opinion piece. Nice work! Unfortunately i live outside of America and hence can't give a very insightful opinion on the matter of the New York Times.Peterhttp://karaokemachinereviews1.comnoreply@blogger.comtag:blogger.com,1999:blog-2201118595222755418.post-21746029426048527122013-01-30T20:37:16.782-05:002013-01-30T20:37:16.782-05:00Thanks for your comment, Paula -- I didn't rea...Thanks for your comment, Paula -- I didn't realize that Allan was at the Times before Jim. Given that you know the situation better than I do -- I'm essentially, an outsider observer in all of this -- I will strike his name from my post. <br /><br />I'm not sure what the other factual inaccuracies are here, since they are mostly general observations from a reader of the Times, or things I've heard informally from those inspired or edited by Jim. We obviously fundamentally disagree as to the nature of his legacy; I hoped that in sharing this blog post, I could offer a perspective that demonstrated his positive influence.Willhttps://www.blogger.com/profile/00001122423953519326noreply@blogger.comtag:blogger.com,1999:blog-2201118595222755418.post-28563483006369381752013-01-30T11:57:18.432-05:002013-01-30T11:57:18.432-05:00There are so many inaccuracies in this piece, it&#...There are so many inaccuracies in this piece, it's difficult to know where to begin. <br /><br />Let me make just a couple of points: Allan Kozinn was at both Opus and the Times before Jim -- the Times, by 15 years, and he helped get Jim hired. But as a former editor once said of Jim, "I helped get Jim hired, and he cut off my b*lls." <br /><br />Jim did have an effect on Allan's career, but it wasn't anything he should be proud of.<br /><br />Your personal opinion of Norman aside, Norman has been getting his facts -- facts being the operative word -- from a number of key people at the Times, precisely because they knew Allan could not say a word, and things were amiss. <br /><br />I can see why the Times is such a stickler for fact-checking. And also why blogs that spout off without knowing what's real, make the Times all the more important.paula brochuhttp://paulabrochu.comnoreply@blogger.comtag:blogger.com,1999:blog-2201118595222755418.post-57025642734010155622013-01-24T12:40:27.564-05:002013-01-24T12:40:27.564-05:00Good points that moderate my harsh comment. With ...Good points that moderate my harsh comment. With what the Times pays its stringers, I’m not sure more international reporting would be so expensive. I notice the webzine of Musical America has a large amount of European reporting that is very informative, even though it has far fewer resources. There are knowledgeable English-language journalists in most of Europe’s major cities who would love to write an occasional piece for the Times – and for low fees. It’s mostly a matter a creating a network of such qualified people and occasionally including their reports. This could set a new standard for other big American papers and open our eyes to a larger musical world. I think some of the other omissions in reporting I mention were ideological and not for a lack of space or resources.WilliamOsbornehttp://www.osborne-conant.orgnoreply@blogger.comtag:blogger.com,1999:blog-2201118595222755418.post-68685975456054383692013-01-24T12:22:28.541-05:002013-01-24T12:22:28.541-05:00Allow me to correct you on two points:
1 Slipped D...Allow me to correct you on two points:<br />1 Slipped Disc is not an aggregator but a story breaker. It broke both the Landman and Oestreich departures hours before the rest of the media.<br />2 Any issues that I have with Oestreich are, on the whole, matters of principle that predate his dismissive review of Why Mahler? by up to 20 years. We see the world very differently. I wish him well in retirement. <br />NLNorman Lebrechthttp://www.normanlebrecht.comnoreply@blogger.comtag:blogger.com,1999:blog-2201118595222755418.post-18907923213262961422013-01-24T12:00:32.093-05:002013-01-24T12:00:32.093-05:00I prefer to keep it as a momento of acknowledgment...I prefer to keep it as a momento of acknowledgment of my mistakes, unlike certain other bloggers who feel the need to disguise them entirely.Willhttps://www.blogger.com/profile/00001122423953519326noreply@blogger.comtag:blogger.com,1999:blog-2201118595222755418.post-1476099210159513472013-01-24T11:52:15.318-05:002013-01-24T11:52:15.318-05:00Well, now that the spelling of Anthony Tommasini&#...Well, now that the spelling of Anthony Tommasini's last name has been corrected, my correction should be removed!Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-2201118595222755418.post-17930998153814187702013-01-24T10:59:23.755-05:002013-01-24T10:59:23.755-05:00Very nice post, Will. A good editor is good at max...Very nice post, Will. A good editor is good at maximizing resources, in addition to improving a writer. Everything important in journalism comes down to space and money. If you want to argue that some things were not covered sufficiently, you have to wonder if the right trade was made for the things that were. This means tough calls have to be made on what is covered.<br /><br />Given the budget Jim had to work with, I can't see how it could have been spent better. Did he have sufficient funds to send reporters or critics to Europe more often than they did? Or pay writers in those countries to write for the NYT? As Will described, and I agree, I think Jim made the right calls. The world is a richer place on the strength of the Taruskin articles alone.Marc Geelhoedhttps://twitter.com/marcgeelhoednoreply@blogger.comtag:blogger.com,1999:blog-2201118595222755418.post-17376220290578447862013-01-24T09:01:02.707-05:002013-01-24T09:01:02.707-05:00Thanks Anonymous - as I liked to say back in Seate...Thanks Anonymous - as I liked to say back in Seated O's heyday, I try to include at least one typo per post to make sure people are reading carefully.<br /><br />William, I think some of your points are fair -- though you name all European newspapers, which are much better at covering pan-European states of affairs (and not necessarily so great at keeping track of what's going on in the States). I'm not sure if we can blame one editor for the lack of national arts coverage -- it's an unfortunate reality though. Issues like the orchestral crisis, arts funding, and the Vienna Phil could all be handled in more detail, I agree -- I think we need more arts reporters alongside arts critics, but I don't think the reality is any better at any other American paper (though in cities which are currently engaged in orchestral crises, of course, the coverage of the issue is much more substantial). I wouldn't call that antiquated or parochial, though I can understand why one would; and I also don't think that a new editor will necessarily mean better coverage of the classical world, either.Willhttps://www.blogger.com/profile/00001122423953519326noreply@blogger.comtag:blogger.com,1999:blog-2201118595222755418.post-66002528625369139382013-01-24T06:34:57.567-05:002013-01-24T06:34:57.567-05:00Oestreich has a rather narrow view of the world th...Oestreich has a rather narrow view of the world that was not appropriate for America’s paper of record. There has been a notable lack of international reporting in the music section (and no, NYC cannot by any means afford to ignore the rest of the world.) The scanty international reporting on a broad range of topics has left many Americans with a blinkered and parochial understanding of music in the international scene and has limited our intellectual life. This is especially apparent if one compares the music section of the Times to the more international reporting of other papers like Le Monde, La Corriere della Sera, the Guardian, or Die Zeit. <br /><br />Where are the articles in the Times looking at the larger pictures surrounding the US orchestral crisis? Where are the international comparisons that show how weak the U.S. arts funding system is? Why could the Times not spare a word about the fact that the USA only has three cities in the top 100 for opera performances per year? Why did the Times all but ignore the gender and racial discrimination of the Vienna Philharmonic, especially during the years it had no women members at all, and during the years it continued to exclude them even though it had officially claimed to allow them membership? So many other papers wrote often about the topic, but Times scrupulously avoided it. These glaring omissions reveal an antiquated and parochial worldview that I hope the new editor will remedy. <br /><br />WilliamOsbornehttp://www.osborne-conant.orgnoreply@blogger.comtag:blogger.com,1999:blog-2201118595222755418.post-20955429557563611462013-01-24T05:10:07.159-05:002013-01-24T05:10:07.159-05:00Anthony Tommasini's last name is misspelled ab...Anthony Tommasini's last name is misspelled above.Anonymousnoreply@blogger.com